In spite of the times. Wasted cycles, wanda gallery, Warsaw (2024)
with music by Ljunglisten here.

Emphasizing the cyclical nature of life, where nothing remains stagnant, and everything is in constant motion, reflecting the unstoppable force of time. The exhibition visualizes the continuous movement and transformation from one state to another, challenging the viewer to consider what it means to be alive, to die, and to be reborn in a world where everything is interconnected.
Exhibition supported by the Swedish arts grant committee

Auto wing XVII. Taxidermy seagull, black headed gull and European herring gull, car doors, servo motors, microcontroller, metal stand, metal hardware. 260x160x120cm


Buds 1 & 2. Pigment print on archival paper. 30x40cm


Fresh feet. Digital photography, pigment print on archival paper, aluminum frame, museum glass. 50x70cm


Ephemeral shape. Digital photography, pigment print on archival paper, aluminum frame, museum glass. 50x70cm

Auto wing XVI. Print on vinyl, car hood, metal stand. 110x148x44cm

Swarm. Digital photography, pigment print on archival paper, aluminum frame, museum glass. 50x70cm
Useless fables, Allmänna Konsthall (2024)
Duo exhibition with Runa Rosgaard

In The exhibitions Useless Fables Hanna Antonsson and Runa Rosgaard react on the human impact on/relation to nature. With a point of departure in fables (stories in which anthropomorphic animals are used to convey moral messages) they in part consider what happens when the very animals humans use to pass down moral tales are abused and extinct by humanity's own hands.





Head of one, body of another. Collaborative sculpture with Runa Rosgaard. Car seat, taxidermy crow wings, servo motors, microcontroller, fake fur, silk clay, acrylic paint, wood, metal wire, metal. 150x125x85cm

Parallell stage 1. Digital photography, pigment print on archival paper mounted on dibond. 50x70cm


Parallell stage 2. Digital photography, pigment print on archival paper mounted on dibond. 50x70cm

Auto wing XVIII. Taxidermy jackdaw wings, car headlight, metal pipe 

Ephemeral stage 2. Canvas print, acrylic board, car tire. 56x56x35cm

until soil unites, CON_, Tokyo (2024)
Duo with Taiki Yokote

The process of how something can take shape, dissolve back into uncertainty, and then form again—showing how real-time (the present moment) and another time can exist together. Yokote’s invisible stories and Hanna’s contrasts—like urban/wild, sand/stars, or headlight/fog—share the same space and time, even though they are opposites. In until soil unites, these contrasts blend together, creating emotions that flow as separate but connected experiences, always moving forward.
Exhibition supported by the Swedish Arts Grant Committé and Västra Götalandsregionen.


Auto wing XII. Taxidermy blackheaded gull wings, junkyard car headlight, metal wire, metal hardware. 60x30x40cm



Auto wing X. Taxidermy jackdaw wings, junkyard car tire, servo engines, micro controller, charms. 73x50x35cm

Auto wing XIII. Taxidermy juvenile gull and seagull wings, junkyard car front, metal hardware, charms, bolt, paperclip, coins, beads, zipper, screw, spring, plastic figurine. 233x115x85cm


Auto wing XI. Taxidermy crow wings, junkyard car tires, dc-motors, microcontroller, wood, metal wire, aluminium, spray paint, charm. 75x80x100cm

Waiting talarias. Taxidermy magpie wings, sneakers, servo engines, microcontroller
Hotel Warsawa Art Fair, Room 112, wanda gallery

Waiting petasos, taxidermy European greenfinch wings, jeep cap, servo motors, microcontroller. 30×21×16cm

Glist, digital photography, pigment print on archival paper, aluminum frame, museum glass. 30×40cm

Tadpole tails, digital photography, pigment print on archival paper, aluminum frame, museum glass. 30x40 
From the Ashes, Zachęta National Gallery of Art, Warsaw (2024) Group exhibition curated by Michalina Sablink


Auto wing IV. Taxidermy great black-backed gull wings, car tire, servo motors, microcontroller, tire cables. 65x65x30cm Photo: Daniel Rumiancew